Private Beta
By invitation only.
Email hello@brandsonic.co to request access.

Good morning, there 👋

A note for you

Brandsonic is one engine that actually understands music: what it means, how it sounds, where it sits culturally, who owns it. Several doors put that understanding to work for different people. You're in the publisher door, but it runs much wider.

  • This door, publisher. For catalogue owners like Warner Chappell to actually use their IP. Catalogue IQ is conversational, multimodal search; Sonar is the proactive side, surfacing owned catalogue moments before anyone asks. Have a poke around, try to break it.
  • The director door, where it's heading. Visual systems are mature; sound still runs on vibes. Same engine, aperture opened to all of recorded music: describe a scene in plain language and get real sonic direction. More creative applications past that.

Under the hood, a song sits in several spaces at once: meaning (lyric vectors plus a cultural read over ~1.4M critic phrases), sound (incl. a CLAP timbre axis), scene, era. A brief lights them up differently. The hard, defensible part is reading fuzzy human intent and decomposing it onto those axes, which word-only and sound-only tools can't do.

Have a play, see what breaks, tell me what you think.
Aurelien

Issued pages

Satellite

Your catalogue, in the room. The page your team builds by hand for every client pitch, issued by one named person to one named client, auditioning watermarked works, and reporting every play back to whoever sent it.

Opportunity radar

Sonar

Your always-on opportunity radar. Sonar reads brand moments as they unfold, decodes what each campaign is reaching for, and surfaces sync opportunities from the catalogue you control, before a brief ever lands.

How your catalogue is held

Compliance

A catalogue is not data. It is the asset. What follows are standing guarantees about how yours is held here — the terms of the relationship, not preferences that can be quietly revised later.

Guarantee 01

Your catalogue never trains generative AI.

Not your recordings, not your compositions, not the briefs you send us. Not for our models, not for a partner's, not for a foundation model, now or later. We read music in order to find it and describe it. We never use it to manufacture more. This lives in the agreement, not in a settings page you would have to go looking for.

Guarantee 02

Encrypted, and yours alone.

One tenant. One bucket. Your catalogue is never blended into a shared pool with another rights holder's work, and there is no common index that someone else's search could reach across. Encrypted in transit and encrypted at rest, readable only by the people you have named.

Guarantee 03

The working material deletes itself.

Briefs, treatments, films and reference tracks are working material, not an archive. They are destroyed automatically once the work they belong to is finished — on a clock, with nobody needing to remember to do it. The default is deletion, not retention.

Encrypted in transitEncrypted at rest Single tenant, single bucketNamed access only Deletion by defaultNo generative training, ever

The detail behind each guarantee is available in writing for your legal and security teams.

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